The process of making new art takes almost as long as the process of growing a flower. This is the second generation of the leptopspermums. The surface is very intriguing as the scratchy drawing is inlaid into the surface of the form and the veil of shiny glaze raindrops overlays the form. I'm playing with the idea of the surface of a ceramic piece being so absolute. The glaze drops reflect the light drawing the surrounding environment into the form and the most satisfying interaction of all is picking up these vessels the smoothroughshinysmoothscratchy-ness.
The wallum is a wild, secretive environment, full of detail and wonder I think pieces of work that capture the wallum should try to capture this.